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Jean Lurçat | Breon O’Casey

Opening January 14, 2026

Jean Lurçat Nature morte au coquillage, 1923

Jean Lurçat
Nature morte au coquillage, 1923
Gouache on paper
18.3 x 12.6 in.
46.5 x 32 cm

Jean Lurçat Les baigneuses, 1933

Jean Lurçat
Les baigneuses, 1933
Gouache on paper
18.1 x 14.2 in.
46 x 36 cm

Jean Lurçat Le ruisseau, 1930

Jean Lurçat
Le ruisseau, 1930
Gouache on paper
27.6 x 20.5 in.
70 x 52 cm

Jean Lurçat Feuilles et papillon, c. 1950

Jean Lurçat
Feuilles et papillon, c. 1950
Gouache on paper
11.2 x 9 in.
28.5 x 23 cm

Jean Lurçat Pierrot, 1924

Jean Lurçat
Pierrot, 1924
Watercolor over graphite on paper
9.5 x 13.5 in.
24.13 x 34.3 cm

Jean Lurçat Feuille et mante religieuse, c. 1950

Jean Lurçat
Feuille et mante religieuse, c. 1950
Gouache and crayon on paper
9.5 x 8.25 in.
24.1 x 21 cm

Jean Lurçat Apocalypse des Mal-assis No. 4, 1945

Jean Lurçat
Apocalypse des Mal-assis No. 4, 1945
Gouache on paper mounted on cardboard.
15 x 22.4 in.
38 x 57 cm

Jean Lurçat Apocalypse des Mal-assis No. 4, 1945

Jean Lurçat
Apocalypse des Mal-assis No. 4, 1945
Gouache on paper mounted on cardboard.
15 x 22.4 in.
38 x 57 cm

Jean Lurçat Vols de papillons, 1936

Jean Lurçat
Vols de papillons, 1936
Oil on canvas
55.7 x 31.5 in. (each)
144 x 80 cm

Jean Lurçat Le ruisseau, 1930

Jean Lurçat
Le ruisseau, 1930
Gouache on paper
27.6 x 20.5 in.
70 x 52 cm

Breon O'Casey Level Bird, 2004

Breon O'Casey
Level Bird, 2004
Bronze, AC 1/5
24 x 27.6 x 1.8 in.
61 x 70 x 4.5 cm

Breon O'Casey Reclining Nude, 2008

Breon O'Casey
Reclining Nude, 2008
Acrylic on canvas
37.4 x 49.2 in.
95 x 125 cm

Breon O'Casey Slugs, 2009

Breon O'Casey
Slugs, 2009
Acrylic on board relief
32.3 x 45.75 in.
82 x 116.2 cm

Breon O'Casey Corners, 2008

Breon O'Casey
Corners, 2008
Acrylic on board
31.6 x 34 in.
80.2 x 86.3 cm

Breon O'Casey Green Head, 1995

Breon O'Casey
Green Head, 1995
Acrylic on paper
20 x 23.6 in.
51 x 60 cm

Breon O'Casey Moth, 2011

Breon O'Casey
Moth, 2011
Acrylic on board
14.8 x 18.3 in.
37.5 x 46.5 cm

Breon O'Casey Homage to the Slug, 2009

Breon O'Casey
Homage to the Slug, 2009
Acrylic on board
21.1 x 32.9 in.
53.7 x 83.5 cm

Breon O'Casey Waterfall I (After Hokusai), 1992

Breon O'Casey
Waterfall I (After Hokusai), 1992
Acrylic on board relief
23.8 x 18.2 in
60.4 x 46.3 cm

Breon O'Casey Waterfall III, 1992

Breon O'Casey
Waterfall III, 1992
Acrylic on board
19.3 x 15.4 in.
49 x 39 cm

Breon O'Casey Profile, 1989-91

Breon O'Casey
Profile, 1989-91
Acrylic on board
24.8 x 17.7 in.
63 x 45 cm

Breon O'Casey Plant, 2006

Breon O'Casey
Plant, 2006
Bronze, 1/5
22.1 x 7.1 x 7.1 in.
56 x 18 x 18 cm
 

Breon O'Casey Boat Bird, 2006

Breon O'Casey
Boat Bird, 2006
Bronze, 1/5
19 x 18.1 x 6.7 in.
48.5 x 46 x 17 cm
 

Breon O'Casey The Rainforest, 2009

Breon O'Casey
The Rainforest, 2009
acrylic on board
26 x 27 x 2 in.
66 x 68.6 x 5.1 cm

Breon O'Casey Abstract Bird, 2001

Breon O'Casey
Abstract Bird, 2001
Bronze, 4/5
20.5 x 21.65 x 8.9 in.
52 x 55 x 22.5 cm

Breon O'Casey Fuschia, 1982

Breon O'Casey
Fuschia, 1982
Acrylic on canvas, unique
31.7 x 41.3 x 1.8 in.
80.5 x 105 x 4.5 cm

Breon O'Casey Large Figure with Arms Akimbo, 2004

Breon O'Casey
Large Figure with Arms Akimbo, 2004
Bronze with wood base, 2/3
29.5 x 15.2 x 8.8 in.
75 x 38.5 x 21 cm
 

Breon O'Casey Proud Bird, 2005

Breon O'Casey
Proud Bird, 2005
Bronze, AP Edition of 5
24.6 x 15.75 x 9.45 in.
62.5 x 40 x 24 cm
 

Breon O'Casey Deer, 2003

Breon O'Casey
Deer, 2003
Bronze, AC 2/5
35.4 x 39.4 x 9.8 in.
90 x 100 x 25 cm
 

Breon O'Casey Acrobat, 1998

Breon O'Casey
Acrobat, 1998
Bronze, 2/3
44.1 x 26.4 x 12.2 in.
112 x 67 x 31 cm
 

Press Release

Rosenberg & Co. is pleased to announce Jean Lurçat | Breon O’Casey, an exhibition that brings together the paintings of two artists whose creative philosophies, developed decades apart, reveal a profound shared sensitivity to nature, form, and material. While both O’Casey and Lurçat worked across a wide range of mediums, this exhibition showcases their paintings, alongside a selection of O'Casey's sculptures, highlighting the visual and conceptual connections that link their practices.
 

While studying at the Anglo-French Art School in London, O’Casey, encountered both the recently discovered Lascaux caves which “was like a thump on the head with a mallet” and the home and workshop of Jean Lurçat where he recalls “standing in front of a tapestry that had just come back and knowing that one day I too would weave.”


O’Casey’s initial inspiration was rooted in Lurçat’s tapestries, but the influence extended beyond medium. O’Casey inherited Lurçat’s clarity of design, his embrace of material limitations, and his ability to observe, simplify, and reimagine the natural world. These principles would quietly accompany O’Casey’s creative life in Cornwall, where he worked within the vibrant St. Ives community of painters, potters, and sculptors.
 

Both O’Casey and Lurçat rejected rigid boundaries between fine art and craft, pursuing many mediums throughout their careers . Lurçat—central to the 20th-century revival of modern tapestry —approached painting with the same graphic intensity and symbolic clarity that defined his textile work. His imaginative universes contrast and complement O'Casey's quiet studio practice, in which remembered natural forms are reduced to their essential shapes through both painting and sculpture. O’Casey’s work emerges from an intuitive process, the artist often noting that he did not overthink his subjects, but simply created, allowing instinct and memory to guide him.


By placing their work in dialogue, Jean Lurçat | Breon O’Casey highlights both artists’ commitment to filtering the world around them, pursuing a practice combining abstraction with observation.

 

About Jean Lurcat
French artist Jean Lurçat (1892–1966) studied at the Académie Colarossi and emerged from the Paris art world. Early encounters with Cubism and other avant-garde movements helped shape the bold, symbolic style that would define both his paintings and his celebrated tapestry work. Lurçat exhibited widely throughout his career, showing regularly at Jeanne Bucher’s gallery in Paris and presenting major solo exhibitions abroad at the Flechtheim Gallery in Berlin (1931) and the Pierre Matisse Gallery in New York (1933). His work today can be found in major collections, including the Jean Lurçat and Contemporary Tapestry Museum, the National Gallery of Art in Washington, D.C., and the Museum of Modern Art in New York.


About Breon O’Casey
British artist Breon O’Casey (1928–2011) studied at Dartington Hall School and the Anglo-French Art Centre in London before becoming an integral figure in the St. Ives art community. A multidisciplinary artist dedicated to simplicity and balance, his practice includes painting, sculpture, jewellery, printmaking, and weaving. Today, O’Casey’s work is held in major public collections including Tate, the Victoria and Albert Museum, Kettle’s Yard, the Hermitage Museum, the Museum of Fine Arts, Houston, and the Pforzheim Museum in Germany.

O'Casey images via Steve Russell Studios.